Slowing an Aperture of the Heart
Shane Chase
Poetry
Slowing an Aperture of the Heart
After Jean Valentine
His eyes will not close as he cuts through every part of you.
What did you expect? Keeping to my room. He is so fundamentally
kind. The time-dulled ghost phrase middle. Of a kind, which is a group of likes.
He is one of a kind. Of murdered god. The space between tick and tock
we had not yet named, We don’t say anything much, We love to count
human silences. A bed, a woman, a man, our lives, a cubic centimeter of bone.
A journey animated up in a quiet room. You were struck by the injunction: compose yourself.
We were in a small town with barely any money.
We were hungry. We went out most nights. It was hot.
We walked past the Goodyear. Silent glass saying nothing.
Saying everything that has been put away. I heard your steps in a group I like.
Your hand, my hand, vapors clinging together rising together also
apart. Pink sky. We were late and early to like a spring flower in October. Kind of.
Saying what did you expect? Dream: you without a face. I forgot your face,
We spoke as if, of how, we were in bed, adding a kind is a group of likes.
Collected many sounds coming to our senses. Cold certainties. Slower lenses.
Regard a glass, you felt it’s silence held your voice. A crystal glass of water
trapped in a storm. Underwater it is never quiet. In space it is always silently recurring.
The dream: a blind girl perfectly tuning a piano. In the bone-shadowed depth, you toss the glass
into the wind. Frosted glass of cool fire, folding air. My body too will evaporate
like that, in a hissing second, an empty cup but I’ll live on. That will have to do. And I’ll
let you go as if I could choose.
Author Bio - Shane Chase was Florida raised, and received a BA in English Literature at University of Westminster in London, UK. He is interested in poetry’s attempt at creating an event in language, and make reading more than just captions to experience. Chase has been published in new{words}press, Clepsydra Literary and Art Magazine, Wells Street Journal, Pen to Print Magazine, and has forthcoming work to appear in South Dakota Review.